Everyone, from composers to performers to musicologists and Rasikas (connoisseurs), can benefit from the dynamic art form of Carnatic music and Carnatic singing, which has something special to offer everyone.
The options, whether melody, rhythm, vocal, or instrumental, are unlimited. Carnatic singing offers more than mere amusement. The deepest intellectual and spiritual principles are combined with melody, rhythm, and language to raise and carry both the artist and the audience to higher levels of happiness.
Carnatic singing, which is incredibly pleasing, necessitates a certain set of talents from the performer or singer. One can become a promising Carnatic Singer who can satisfy oneself and others via diligent sadhana (mindful practice) under the instruction of an experienced Guru.
A path to self-realization that begins with the outside world and finally turns within bears fruit and can provide contentment and eternal bliss is the journey of learning Carnatic singing and becoming a Carnatic singer. A route that is best for people who pursue music education solely for its own sake, without hoping to gain fame or financial gain.
But when it comes to learning Carnatic Singing, it is important to learn this art and become good at it to be called a Carnatic Singer. In such a situation, Kafqa Academy is just perfect for you. Kafqa Academy provides Online Carnatic music classes with the help of the best Carnatic singers to make the students perfect at Carnatic Singing.
As grammar is to language, theory/Lakshana is to music. To be full and understandable, this is a quality that every Carnatic singer contains, and a Carnatic singing learner needs to have a strong grasp of musical theory.
It is challenging to establish credibility in thoughts and convictions important for one’s self-development and imparting to others without a proper understanding of theory.
Historical information on the development of Carnatic singing ideas is included in musical theory, along with information about Carnatic music composers, raga lakshana specifics, and laya principles. Depending on the scope of the study and the amount of time available, one may prioritize theory to the necessary extent.
For one thing, listening and observation are useful talents to have if you’re committed to learning Carnatic Singing. By being exposed to great music and a supportive musical environment from an early age, one can acquire this skill of Carnatic Singing.
In the beginning phases, passive listening aids in generating interest and curiosity. When one directly begins learning from a guru, this eventually transforms into active listening. Listening skills are very important and are acquired by all Carnatic Singers. This is also something that every Carnatic Singing learner must acquire in them.
Laya (Rhythm) is related to “pita” (father), who holds equal weight to Shruti (Melody) if “mata” (mother) is compared. Everybody has access to Laya, that is present everywhere in nature and inside us. Without rhythm, the song sounds lifeless and lacks form and expression. Rhythm is the foundation of music.
Any Carnatic musician must be able to accurately convey a variety of speeds and gatis in addition to keeping Kalapramanam, or continuous tempo. This is something that every single Carnatic Singer learns as it is the main element of Carnatic Singing. When one focuses on strengthening laya from day one, starting with the sarali varisai, these abilities naturally arise.
Shruti shuddham refers to pitch accuracy or musical tunefulness in its purest form. This is unquestionably a requirement, but in Carnatic singing, the term is expanded to include the idiom of the music form itself.
Beyond pitch accuracy, shruti shuddham refers to the integrity of shruti values in the performance of a raga. This is something that every Carnatic Singer must learn. The rules by which notes are rendered are determined by shruti values, which give the raga its distinct identity.
The talent of the concert, or the talent of presenting your Carnatic singing skills in front of the masses, is very important and must be acquired by beginners of Carnatic Singing. The audience type, the event’s length, and the song list must all be considered when planning a Carnatic Singing concert. The song list should be carefully prepared to incorporate a diversity of ragas, talas, and compositions. Planning the concert schedule is made easier by having a large repertoire. So, a Carnatic singer must focus on such things.
If you also want to learn Carnatic Singing and get confused about where you should start your Carnatic Singing journey, Kafqa Academy is an appropriate option for you. Kafqa Academy provides online Carnatic music classes with the help of the best Carnatic singers. So, what are you waiting for? Enroll now.